![]() If you’re a pro with a career’s worth of quality pics you need to preserve, you’re going to be wasting your time – literally, as you push the five-pic slide holder through, one snap at a time. How much of a problem this is going to be depends on what you’re looking to achieve. Perhaps packing all that light into such a small package is inevitably going to mean a touch of overexposure here and there. And we do know it’s in there because we’ve still got copies of the wedding pics stuck up in the house, and you can indeed see the pattern on that rather fetching blue and gold tie. A slightly murky grab of a night at a night club did scrub up nicely.īut with some pics, try as we might, we just couldn’t capture the detail we know is in there. The bundled software goes some way to correcting this accident of memory, and of course if you're a Photoshop jockey you’ll have just the sort of memory you want before too long. OK, these are wedding pics or from that long sabbatical you took in the mid-1980s, and it’s entirely possible that you remember the day through a rosey or golden hue.īut the fact is, what you see on screen is not what you’d see if you popped the slide on a lightbox. Some initial scans looked a little washed out, others had a greenish tinge. You can then either stick with the Arcsoft software to view and edit the captured pic, or fire up an alternative app.Īnd this is where you realise that scanning your memories is not a one-button process. Next, hit the software's transfer button to save the image on your computer. ![]() You then either hit the Copy button on the scanner or the 'snapshot' button in the software to capture the image. Once the image is lined up, and you’ve allowed the white balance to settle. Remember, this is the generation that grew up on the box brownie. There's no mention of this in the manual, though, which can leave the uninitiated faffing around through a couple of dodgy blurred grabs. It actually clicks into place each time you move it on a slide. Lining it up seems to be an imprecise science until you realise that as long as the slide holder is the right-side up, with the trimmed corner going into the machine first. You can see what’s potentially being scanned on the viewing window in the software. You choose the resolution, colour depth and file format in the software, 24- or 48-bit colour depth up to 3600 dpi and TIFF or JPEG. You first have to load the film or slides into the appropriate holders, and then slide the holder into the device itself. Keep the slide holder right side up with the trimmed corner going in first Once the software’s installed, simply plug in the USB plug, and you’re on the way. You may well come unstuck trying to match it to what’s happening on your screen while you’re installing the software. ![]() The manual is even more basic – but not in a good way. Exposure and colour balance are entirely automatic. The scanner carries nothing in the way of controls except a power lead and an inch-wide Copy button. And there’s a four-element glass lens, forever stuck at F2.0. The light source is a trio of white LEDs. The guts of the machine include a five-megapixel sensor, which will give you 1800dpi scans, or 3600dpi with interpolation. It feels kind of sexy, if you like that sort of thing. The scanner itself is about 20cm high, with a black matte coating. Neither is it an add-on to your already stretched absolutely-everything-in-one printer.įor your 50 quid, you get the scanner, holders for slides and black-and-white fill and negative film, and a disc with the drivers and Arcsoft’s Photoimpression 6 software. It’s clearly not one of the professional-level jobs pushed by the same companies who actually make pro-camera kit. You might consider VuPoint Solutions' basic slide/negative scanner. VuPoint Solutions' FS-C1-VP: 5Mp sensor for up to 1800dpi scans
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